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Indiana Jones for the younger set!

An Historical and Political approach to Islamic dogma

An extremely technical and professional guide

The best of the Golden Age of British mystery(1) Edmund Crispin a.k.a. Bruce Montgomery (2) Michael Innes a.k.a. John Innes Mackintosh Stewart (3) Dorothy Sayers (4) Margery Allingham (5) Michael Innes a.k.a. John Innes Mackintosh Stewart (with a drop in rank for his mysteries that went off the surreal deep-end).
Out of my Fab Four Brits, Michael Innes and Edmund Crispin share the most similarities. They were both of Scots-Irish background, both wrote their mysteries under pseudonyms while teaching at college, and both were educated at Oxford -- Oriel College and St. John's College, respectively. They both wrote highly literate mysteries with frequent allusions to the classics (nine out of ten of which go zooming right over my head). Michael Innes has his detective, Sir John Appleby poke fun at this high-brow type of murder fiction in "Death at the Chase":
"That's why detective stories are of no interest to policemen. Their villains remain far too consistently cerebral."
Expect that even the most vicious murderer in an Edmund Crispin mystery will quote Dryden or Shakespeare at the drop of a garrote. "Frequent Hearses" is a fertile setting for this type of classical badinage, since its plot involves the making of a film based on the biography of Alexander Pope. Gervase Fen, Oxford don of English Language and Literature, and amateur detective extraordinaire is hired by the film company as a story consultant, and he is plagued throughout the book by a Scotland Yard detective who is an amateur classics scholar. Fen wants to discuss the murder. Chief Inspector Humbleby wants to talk about the Brontes and Dr. Johnson. Neither one will admit to a less than perfect understanding of either his profession or his hobby, and both despise amateurs. Their encounters keep "Frequent Hearses" sparkling along right up until its final page. Here is a sample of dialogue, wherein Inspector Humbleby deliberately misunderstands Fen's explanation of the film's subject:
"Based," Fen reiterated irritably, "on the life of Pope."
"The Pope?"
"Pope."
"Now which Pope would that be, I wonder?" said Humbleby, with the air of one who tries to take an intelligent interest in what is going forward. "Pius, or Clement, or--"
Fen stared at him. "Alexander, of course."
"You mean"---Humbleby spoke with something of an effort---"you mean the Borgia?"
All of Crispin's characters are carefully (one might say 'crisply') developed, and distinguished for the reader by a quirk or eccentric manner of speech (sometimes Crispin overplays the eccentricity at the expense of realism, especially with his main protagonist-- I do wish Fen would stop expostulating, "Oh, my fur and whiskers!"). Physical description is sketchy. If one of Crispin's characters walked past you in the street, you probably wouldn't recognize him. However, if you were to overhear his conversation with the postman---
And I don't mean to imply that "Frequent Hearses" is all dialogue and no action. There is one especially harrowing scene where a young woman chases the murderer into a maze in order to learn his identity and then (when reason returns) can't find her way back out again. By the time Fen rescues her, she has endured an experience right out of an M.R. James horror story (in fact, the young woman quotes M.R. James at length while she is traversing the maze - a typical Crispin characteristic).
The mystery surrounding the murderer's identity and motivation is as cleverly convoluted as the maze, and it is equally as hard to get to its heart. Crispin himself wrote and published at least one film script and composed music for several films, so "Frequent Hearses" is told with the knowledge of a movie industry insider.
If you like vintage British mysteries with a 'classical education' and haven't yet discovered the 'Professor Fen' novels, then you're in for a treat-- assuming you can find these out-of-print volumes. Here are all nine of the Fen mysteries plus two collections of short stories, in case you jump into 'Frequent Hearses' and want to keep going:
"The Case of the Gilded Fly" ("Obsequies at Oxford"), 1944; "Holy Disorders", 1945; "The Moving Toyshop", 1946; "Swan Song" ("Dead and Dumb"), 1947; "Love Lies Bleeding", 1948; "Buried for Pleasure", 1948; "Frequent Hearses", 1950; "The Long Divorce", 1952; "Beware of the Trains", 1953 (short stories); "The Glimpses of the Moon", 1978; "Fen Country", 1979 (short stories).


Human rights abuse in China and a Christian corrective

SYLVIA BROWNE HAS NOTHING ON JEANE DIXON...The numbers and accuracy of her predictions are startling. Moreover, many of them were made years in advance of their occurrence. The one that gained the most notoriety was the prediction of President Kennedy's assassination, which is fully discussed in the book. The book also discusses Mrs. Dixon's thoughts on the issue of conspiracy behind the assassination. Given her track record, it is quite an interesting discourse.
The author of the book, an investigative reporter and friend of Mrs. Dixon, gives an excellent account of her predictions and, often, the context out of which they arose. She describes how the predictions came about. While many of the predictions involved well known individuals, Mrs. Dixon also made many predictions for people with whom she came into contact in her everyday life. All in all, this is a memorable book about a most remarkable woman who, indeed, had the gift of prophecy.


The most complete, yet easy to comprehend, commentary.Explores EVERYTHING about each bit of text.
Explained in complete fashion, yet can be understood by even the most casual reader.
The only commentary I've read that wasn't WORK to read.


Good Fiction

These Irish houses are what lies at the end of the rainbow

A definite "Must Have" mystery from an exciting new author.After living in Florida for many years and an admitted fan of dog racing, I was delighted at the care the author took in describing the sport. With the controversies that continually surround the world of Greyhound racing, it's gratifying to discover characters that truly define the caring and loving breeders and trainers that make up the majority of those involved.
An extraordinary new talent, Ms Montgomery masterfully combines a tender love story with fast-paced action and terror. I recommend it to anyone who loves the adrenaline rush that comes from not being able to put a phenomenal book down. I'll wait impatiently until her next book is released.
In Forgotten Days, your team is hired by a prim English woman to track down the missing pages of a forgotten diary written by one of her ancestors. The adventures follow the same thread as all those old-fashioned hero stories, filled with double-crosses, triple crosses, badguys with guns, narrow escapes, girls tied up in the badguy's tent- all those classic adventure elements. It's a perfect book for preteens and possibly even early teens (it's actually even entertaining for adults!)